As some of you may have noticed, I don’t use this blog to write about my papers in the “traditional way” math bloggers summarize and explain their recent work. I think my papers are prosaic enough to do that on their own. I do use this blog as an outlet when I have to complain about the arduous toil of being a mathematician (which has an immensely bright light side, of course, so in the big picture I’m quite happy with it).
This morning I woke up to see that my paper about the Bristol model was announced on arXiv. But unbeknownst to the common arXiv follower, this also marks the end of my thesis. The Hebrew University is kind enough to allow you to just stitch a bunch of your papers (along with an added introduction) and call it a thesis. And by “stitch” I mean literally. If they were published, you’re even allowed to use the published .pdf (on the condition that no copyright infringement occurs).
My dissertation is composed of three papers, all of which are on arXiv (links in the “Papers” page of this site):
1. Iterating symmetric extensions;
2. Fodor’s lemma can fail everywhere; and
3. The Bristol model: an abyss called a Cohen real.
Of course, the ideal situation is that all three papers have been accepted for publication, but all three of them are still under review. So it puts me at this odd situation where I will have essentially four sets of referees (one for each paper, and then two additional referees for my thesis), and so the output can end up oddly different between the resulting dissertation and the published papers. But that’s fine.
In any case. Those of you who are interested in reading my thesis can find it in those three papers. I am probably going to post the final thesis online when it will be approved, but the only thing you’re currently missing out is an introduction with some minor historical background and a summary of the three papers. So if you read all three, you don’t really need that introduction anyway.
Good. So what next? I have a few things lined up. More news will follow as reality unfolds itself like a reverse origami.